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Brand New Day - Viola
Tenor Saxophone and Piano
Sheetmusic to print
6 sheet music found
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1
Jingle Bells for Solo Tenor Saxophone
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967675 Composed by James…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967675 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and part. 9 pages. Lawrence H Underwood #6189275. Published by Lawrence H Underwood (A0.967675). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fifth installment in his A Christmas Portfolio series, this brand new setting of Jingle Bells is destined to be a new favorite! This Jingle Bells has been given the ragtime treatment. . .opening in standard 2/4 ragtime, moving into a ragtime waltz in the middle of the piece, before once again revisiting 2/4 - but with the piano part covering the melody and the soloist playing countermelody lines until final reclaiming the theme for the final rousing statement of the chorus. Suitable as a showpiece or encore in any winter or holiday setting!
$5.99
5.51 €
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Tenor Saxophone and Piano
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James Pierpont
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Jingle Bells for Solo Tenor Saxophone
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Lawrence H Underwood
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SheetMusicPlus
O Come, O Come Emmanuel for Solo Tenor Saxophone
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967678 Composed by Tradi…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967678 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Jazz,Sacred. Score and part. 12 pages. Lawrence H Underwood #6189293. Published by Lawrence H Underwood (A0.967678). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the seventh installment in his A Christmas Portfolio series, this brand new setting of O Come, O Come Emmanuel brings a breath of fresh air into this ancient melody. Set against a driving mid-tempo montuno in the opening, the piece shifts into a double-time tumbao before once again bringing back the opening groove. This arrangement it a surefire way to spice up the holiday season! Suitable for performance in church or any holiday setting.
$5.99
5.51 €
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Tenor Saxophone and Piano
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Traditional
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O Come, O Come Emmanuel for Solo Tenor Saxophone
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Lawrence H Underwood
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SheetMusicPlus
We Three Kings for Solo Tenor Saxophone
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967683 Composed by John …
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967683 Composed by John Henry Hopkins Jr. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 9 pages. Lawrence H Underwood #6189323. Published by Lawrence H Underwood (A0.967683). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the twelfth installment in his A Christmas Portfolio series, this brand new setting of We Three Kings brings a blend of folk, Baroque, and progressive rock sensibilities to this venerated classic. Perfect for use in church or any holiday performance setting.
$5.99
5.51 €
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Tenor Saxophone and Piano
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John Henry Hopkins Jr
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We Three Kings for Solo Tenor Saxophone
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Lawrence H Underwood
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SheetMusicPlus
I Saw Three Ships for Solo Tenor Saxophone
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967668 Composed by Tradi…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967668 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Sacred. Score and part. 9 pages. Lawrence H Underwood #6189251. Published by Lawrence H Underwood (A0.967668). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
$5.99
5.51 €
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Tenor Saxophone and Piano
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Traditional
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I Saw Three Ships for Solo Tenor Saxophone
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Lawrence H Underwood
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SheetMusicPlus
O Come, All Ye Faithful for Solo Tenor Saxophone
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967677 Composed by Attr.…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967677 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189291. Published by Lawrence H Underwood (A0.967677). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the sixth installment in his A Christmas Portfolio series, this brand new setting of O Come, All Ye Faithful is a showstopper! The arrangement opens lyrically, in a lilting 12/8, before traveling through a driving section in 5, a majestic 3/4, then baroque-flavored turns in 4/4 and again in 3/4. The interplay between the solo and accompaniment evokes the feeling of a small orchestra! Suitable for use in church or as a showpiece in any holiday setting, this piece is one your audience is sure to remember!
$5.99
5.51 €
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Tenor Saxophone and Piano
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Attr
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O Come, All Ye Faithful for Solo Tenor Saxophone
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Lawrence H Underwood
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SheetMusicPlus
Bach: Wachet auf for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.97 €
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Tenor Saxophone and Piano
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Johann Sebastian Bach
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Bach: Wachet auf for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
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